Seneca Art & Culture Center

Victor, NY

Practice Francois de Menil Architet, PC

Role Project Architect

Duties

  • Development of design from concept to design development

  • Development and drafting of documentation set

  • Consultant coordination

  • Preparation of collateral for client design presentations

Role Description

Under Francois’ leadership I was the primary team member who worked on the full design including conception, development, and documentation of the project including preparation of most graphic materials.

Project Description

The Seneca Art and Culture Center at Ganondagan is a 17,000 SF visitor center devoted to the history and culture of the Seneca people. It is located in Victor, NY, at the Ganondagan State Historic Site. Ganondagan was formerly the largest town of the Seneca before it was destroyed by French forces during the Denonville raid of 1687.

Located on the site is a Longhouse replicating the 150 Longhouse structures that populated the town. It symbolizes the culture and values of the Haudenosaunee Confederacy formed when five warring nations came together in a mutually supportive union, agreeing to live together peacefully under an imaginary longhouse stretching from the home of the Seneca in the west to the home of the Mohawk in the east. This union is depicted on the Hiawatha Wampum belt. Its white horizontal line metaphorically connecting the five nations and extending infinitely in both directions.

 

Devoted to the history and culture
of the Seneca people

 
 

BACKGROUND

The flag of the Haudenosaunee (Iroquois) Confederacy derived from the Hiawatha belt and the tribes it represents.

The flag of the Haudenosaunee (Iroquois) Confederacy derived from the Hiawatha belt and the tribes it represents.

 
 
 
 
An Iroquois Village showing assembly of Longhouses within a protective enclosure.

An Iroquois Village showing assembly of Longhouses within a protective enclosure.

 
Multiple archaeological investigations unearthed several artifacts at the site.

Multiple archaeological investigations unearthed several artifacts at the site.

 
 
According to traditional mythical reality, the Iroquois dwell at the center of Earth-Island, sheltered beneath a great White Pine, located on the middle of the back of a great Turtle afloat in the middle of a great lake, beyond which lies the World’…

According to traditional mythical reality, the Iroquois dwell at the center of Earth-Island, sheltered beneath a great White Pine, located on the middle of the back of a great Turtle afloat in the middle of a great lake, beyond which lies the World’s Rim. The Haudenosaunee occupy the highest land on “Turtle Island” as is evidenced by rivers that flow from their homeland to the four quarters of the world.

 
 

CONCEPT

With the Hiawatha Belt as generatrive diagram, the Center is conceived as a rectangular structure with a major east-west circulation axis similar to that of a traditional longhouse.

The Entry Hall intersects this spine and acts as the building’s core, and bridges the southern wooded entry route with the northern landscaped path that leads visitors up to the longhouse.

 
 
SACC_concept-01.jpg
 
 
 
 

DESIGN 

The building is located within a portion of the 245-acre Boughton Hill section of Ganondagan

The building is located within a portion of the 245-acre Boughton Hill section of Ganondagan

 
 
View of the site and recreated longhouse

A view of the reconstructed Longhouse at Ganondagan

 
SITE PLAN

SITE PLAN

The approach sequence derives from the traditional Seneca rite of passage known as the “wood’s edge” where a visitor undergoes a ritual purification in preparation for and prior to entering the village.

The meandering wooded approach as well as Fire & water elements in the open entry plaza symbolically represent this cleansing ritual. This orchestration of building and landscape allows the building to serve as threshold element along the visitor’s path from site entry to the longhouse. The historic site & Seneca culture are discovered by and through the building

 
 

Acting as a threshold between arrival and the Longhouse, the building is partially buried which preserves views from the Longhouse to the rolling landscape beyond.

 
 
View from entry path

View from entry path

Auditorium

Auditorium

Aerial with Longhouse in the distance

Aerial with Longhouse in the distance

Lobby

Lobby

 
 

FLOOR PLAN

SOUTH ELEVATION

WEST ELEVATION

NORTH ELEVATION

EAST ELEVATION

TRAVERSE SECTION

CROSS SECTION

FACADE DETAIL AT ENTRY VESTIBULE

WINDOW DETAIL

FdMArch_Ganondagan_Vahrenwald (6).jpg

ROOF PLAN

SECTION THROUGH GALLERY

FdMArch_Ganondagan_Vahrenwald (20).jpg
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